Doing it right the first time can speed up the design process and help you better achieve the look you’re going for. That is, taking everything you’ve learned about cropping and applying it to taking photos. If you’re the one taking the photographs for your design, you can eliminate the need to crop later by doing what we call in-camera cropping. The best crop tool you have at your disposal is the camera lens itself. Don’t be afraid to go off the beaten path-so long as you keep a backup of the original photo, you can always try again if your experiments fail. Maybe leave in an odd background detail to create contrast with your subject. Crop faces in half to create a sense of mystery. Try cropping at different angles and rotating the picture to compensate, creating a dynamic composition effect. You can crop the same photo a dozen different ways and come up with drastically different results-it’s all about zeroing in on the one that works best for your needs. Sometimes you need to break the rules to make a bold statement, so don’t be afraid to play around with the crop tool and experiment with different techniques before settling on one design. Don’t accidentally crop out the horizonĬropping in unusual ways can create some very cool results. Unless you’re purposely trying to create movement and flow between each of your photos, keep your cropping and straightening consistent.
PORTRAIT PHOTO CROP SERIES
That works fine for narrative purposes, but a series of photos cropped in many different ways can be distracting and sloppy if it’s not done intentionally. A comic book has pictures in a variety of sizes and positions because a comic book is meant to be read one picture at a time. A yearbook has pictures that are all cropped in a similar way to create a uniform look. When you have a series of photos next to one another, consider making them look more like a yearbook than a comic book. The photos you use in a design are only going to account for one small part of the overall collateral, so you need to be aware of how your cuts are going to work in tandem with one another. Keep the big picture in mind … literally. When you’re cropping a series of photos, try to maintain a consistent flow.
Don’t accidentally give your subject a bad haircut
PORTRAIT PHOTO CROP PRO
Embed this graphic on your siteġ5 Easy Tips for Cropping Photos like a Pro 7.
is licensed under a Creative Commons Attribution 4.0 International License. Crop your bodies at the torso, waist, thighs, shin or upper arm to make them less awkward. You should also stay away from cropping the little appendages like fingers, toes or even ears. It creates an awkward visual effect that looks more like an amputation than a framing device. Not to be morbid, but cropping photographs is a bit like being a killer in a horror movie-you’ll often have to make serious decisions about which body parts to cut off.Ī general rule of thumb is to avoid cropping people’s limbs at the joint. Cropping out your subject’s limbs or hands creates an awkward look.
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